POD: Cut to the Chassis

Posted on November 10th, 2024 in braindump

The most frequently asked question I’m seeing about Shivering Sands — from people that actually want to try one of these POD whatsits — is some variation of: What did you use (InDesign, Lulu templates, witchcraft) to build the book?

And, honestly, I’m not sure if that’s curiosity about my specific method, or if that’s asking for some sort of an endorsement for the best method.  But there’s just no real answer to that second question, beyond “whatever works!”

Because, look, Lulu’s uploader and templates are lovely.  I just happen to be allergic to them.  It’s nothing to do with Lulu, in particular– I’m just allergic to anything that’s easy. 

Because I’m crazy.  I’m the lord mayor of a little factory town called Crazyopolis. I see the words “one-click” or “get started in 5 minutes” or “ready-made” or, yes, “easy” — and I start screaming nonononono get it away get it AWAY!

Look.  Do you remember this?

 

The Radio Shack 150 in ONE Electronic Project Kit.  I had one of these.  This exact model, in fact.  And I don’t have any fucking idea what the other 149 projects were. No. Fucking. Clue.  Because about halfway through the first project, after taking a good long look at the whole-board schematic, I started trying to figure out what I could make it do… with no real interest in things like instructions or the laws of physics or if a bigger battery would make it catch on fire or if OSHA would approve my trying to incorporate it and my chemistry set and the dog into one mad experiment.

See? Crazy.

I’m just not the target demographic for templates.

My friend Lee Barnett (AKA Budgie), on the other hand, isn’t stricken with my particular brand of crazy.  He put together his book, The Fast Fiction Challenge, using the Lulu system from start to finish, and it turned out just lovely.  In fact, I’d recommend you buy a copy, just to see how well it turned out. (Actually, I’d recommend you buy a copy, anyway, because Lee’s an excellent writer.)  He’s written up a bit of a review on his experiences with the Lulu system, which I hope he’ll put somewhere public so I can link it in a bit.

Jamais Cascio put together his book, Hacking the Earth, using, I believe, OpenOffice.  Which is free like street furniture so, you know, it’s not like you need to go expensive to go more DIY. (Also a book you should buy, because Jamais is made ov geenius.  And also because I did the cover layout.)

Edit: Jamais kindly nudged me with a correction to the above.

Actually, I took blog posts, formatted them in Apple Pages, converted to Word to use the Lulu uploader, fiddled with the formatting in Word to make it match my Pages layout, discovered that the Lulu-Word tool bites (completely different pagination and words-per-page from what I had uploaded), discovered that the Lulu setup can’t read Apple PDF, and finally printed the doc from Pages directly to a Postscript file. That uploaded beautifully and came out exactly as formatted.

And Wil Wheaton went the sanest possible route with his Sunken Treasure and Memories of the Future, and just found someone crazy (Will Hindmarch) to do all the layout. (C’mon, it’s Wil — I shouldn’t have to tell you to buy his books, you should already have them.)

So, honestly, there is no Best Way to put together your POD book, other than the way that gets it done with the least headache and the most satisfaction. 

If you’re the sort that gets your bolts off fiddling with settings and typefaces and widows and orphans and justification and margins and all that — or you want to try and see how it suits you — then, yeah, do some googling for how-tos or just dive right into whatever desktop program you’ve got to hand.  (If you don’t have InDesign, don’t run out and buy InDesign — you can really honestly do almost everything you need for POD with OpenOffice or Word.  And the couple of things you can’t do, you’re likely not even going to notice unless you already own InDesign, anyway.)

If you’re the sort that’s more interested in the crafting of the work you’ve already done, and want to move straight to the part where you’re selling it, just use Lulu’s system, or beg, borrow, or steal a friend with the layout crazies to help you.

The Best way to get it done is to just get it done.  And trying to decide where to start… well that’s not getting it done.

  1. [...] Ariana again, on a FAQ: how was the SHIVERING SANDS book built? [...]

  2. [...] on.  (Today’s article. And [...]

  3. [...] you are wondering if it takes tons of skill to make your own book, let Ariana straighten you [...]

  4. [...] Osborne — she of Warren Ellis’ website, web forum, and various books — writes about how to design or do layout for books to be published through Lulu. She has just done the book design on Warren Ellis’s first POD project, Shivering Sands, [...]

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Links for 2024-11-14 via Warren Ellis

Saturday November, 14 2024 03:00 PM PST

cotton and candy via Irene Kaoru

Saturday November, 14 2024 09:48 AM PST

will-cotton-candy-curls-gastronomista
Will Cotton, CANDY CURLS, 2024, oil on linen, 34×24 inches

I can NOT explain my obsession with things made out of food, especially candy. It’s a longstanding affliction I have. Via NOTCOT.

Twitter Updates for 2024-11-14 via Kelly Sue DeConnick

Saturday November, 14 2024 08:26 AM PST

Twitter Updates for 2024-11-14 via Kelly Sue DeConnick

Saturday November, 14 2024 08:26 AM PST

Twitter Updates for 2024-11-14 via Kelly Sue DeConnick

Saturday November, 14 2024 08:26 AM PST

Steampunk Fashion at Steampunk Workshop via Libby Bulloff

Friday November, 13 2024 03:43 PM PST

So much steampunk we’re bleedin’ oil!

I’ve started my fashion column over at Jake von Slatt’s Steampunk Workshop. Have a look-see if you’ve a moment! I may begin cross-posting some content from here to there and back again, but this time I’m gonna make ya go look.

Thank you!

Twitter Updates for 2024-11-13 via Kelly Sue DeConnick

Friday November, 13 2024 08:26 AM PST

Twitter Updates for 2024-11-13 via Kelly Sue DeConnick

Friday November, 13 2024 08:26 AM PST

ghostwalker via Trixie Bedlam

Friday November, 13 2024 06:49 AM PST

trixiebedlam posted a photo:

ghostwalker

been a long time since I spotted one of these. good to know Thundercut isn't RIP.

Matthew Ritchie via Irene Kaoru

Thursday November, 12 2024 05:30 PM PST

Brilliant article I am rereading over at artforum about one of my favorite contemporary artists, Matthew Ritchie. I haven’t actually thought about him much since I saw his 2024 show at Andrea Rosen (which was beautiful) but I almost want to mouth idiotic things like “everything he touches is fantastic” as though he were not just a guy. I am most drawn to artworks that speak to the mythical and larger than life, and his work always does so while creating its own language and operating very strictly within its own logic.

ritchie
Matthew Ritchie in collaboration with Aranda\Lasch and Arup AGU, The Morning Line, 2024, mixed media.
Installation view, Centro Andaluz de Arte Contemporáneo, Seville. Photo: Benjamin Aranda.

Somewhere amid this tangle of incomplete emancipations lies a great deal of the work that we call emergent today. A prime example is Matthew Ritchie?s current traveling?or is it self-replicating??project, a series of structures including, most recently, The Morning Line in Seville and The Dawn Line in London (now on view in New York). An earlier, scaled-down iteration, titled The Evening Line, was presented at last year?s Venice Architecture Biennale, with the larger, more expansive and centrifugal Morning Line following soon after. This trajectory itself is a sign that Ritchie?s work has found clear and unapologetic interest among architects, but, more germanely, Ritchie himself developed, resolved, and realized these structures only with the collaboration of Benjamin Aranda and Christopher Lasch, two young researchers who specialize in algorithmic design. While The Morning Line initially appears as a snarled tumbleweed of metal filigree accidentally forming both interior and exterior cavities for inhabitation, as well as the structure of transfers and arches necessary to keep it stable and upright, it quickly resolves in one?s perception as a pattern of modules that is rotated, displaced, and scaled at every level and along what appear to be determined paths. This is the moment when an underlying predisposition is sensed, which transforms one?s understanding of the work (the modules, in fact, are hand-generated cartoons that are computationally ?grown?). Ritchie brought to the table a taste for medieval knowledge systems and the dream of their comprehensive resolution within a pageantry of materials and narrative characters. His interest in the figures or actors of knowledge as points of compression of historical understanding and imagination, or simply as convenient ways of presenting these to the mind, belies a profound belief that the world encodes itself in its productions and that this code represents an asset and resource that could and ought to be tapped, if only we knew how.

Systems Theory - Sanford Kwinter

Conan! What Is Best In Life? via Warren Ellis

Thursday November, 12 2024 04:43 PM PST

"DAY-GLO HUMAN UDDERS!"

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(I feel I must point out that these are really not what are best in life, and that Molly Crabapple should be arrested and probably waterboarded for making me look at this.)

(And also this.)

(Cowgirls. Honestly.)

Links for 2024-11-12 via Warren Ellis

Thursday November, 12 2024 02:00 PM PST

HAPPY()SAD Tumblr Theme via Warren Ellis

Thursday November, 12 2024 01:54 PM PST

Because Ariana’s sliiiightly crazy, she’s created a free HAPPY()SAD theme for Tumblr users. This is, of course, based on the HAPPY()SAD t-shirt she and Rich Stevens released yesterday.

Twitter Updates for 2024-11-12 via Kelly Sue DeConnick

Thursday November, 12 2024 08:26 AM PST

Hailstorm & Rainbows via Kelly Sue

Wednesday November, 11 2024 04:14 PM PST

Kelly Sue posted a photo:

Hailstorm & Rainbows